Johannes Gutenberg or Steve Jobs ?
10:00 - 11:30 - Salle de Conférence
Modérateur : Philippe Krümm
Intervenants :
Marc Bénaïche, Mondomix (France)
Anne Berthod, Télérama/La Vie (France)
Simon Broughton, Songlines (Angleterre)
Ulrich Joosten, Folker (Allemagne)
Albert Reguant, Catalunya Radio/World Music 1 (Catalogne)
Gilles Rof, Sortir Télérama.fr (France)

Johannes Gutenberg or Steve Jobs ?
Articles, books, records, websites, blogs, tweets, etc.... what are the hidden stakes of the Media ? Why is music at the heart of so many debates ? We seem to have finally left our village to enter the World and world music is asking all the questions we want to know and triggering all the responses we could wish for ! World music is diverse and varied and this in itself sums up all of our queries !

CNV And World Music
10:30 – 11:30 - Salle Méditerranée
Intervenants :
Jean-Christophe Bonneau, Directeur administratif
Séverine Morin, Responsable du pôle ressources et communication
Jacques Renard, Directeur du CNV

CNV And World Music
CNV is an industrial and commercial public sector organisation within the Government’s Department for Culture and Communication. Its aim is to support current and popular music. With the help of the tax on popular music shows, the CNV is able to support the production and promotion of music events in order to help the economic development of cultural organisations and to promote cultural and artistic diversity. In partnership with Babel Med Music, CNV is organising a briefing where it will focus everyone’s attention on World music whilst at the same time give an introduction on its activities and its funding programme. This briefing is also an opportunity for professionals who are working on the festival to meet and share their own experience and difficulties.

Joe Boyd : theory and practice in « world music »
12:00 – 13:00 - Salle de Conférence
Conference by Joe Boyd

Joe Boyd : theory and practice in « world music »
Joe Boyd is an American record producer who has spent a great deal of his career particularly in the 60’s developing his own production company Witchseason, in the UK. He even used it to publish his memoirs in 2006. His label recorded the first Pink Floyd single and help launch the careers of Nick Drake, Fairport Convention, The Incredible, String Band and more... He is also renowned for his music documentary on Jimi Hendrix. He then moved to London where he created the underground club UFO where emerging groups such as Pink Floyd and The Soft Machine got to play for the first time. He went on to found the label Hannibal and to record artists such as Richard Thompson, thus laying the first stone for what will later be called World Music.the Oc region itself ?

ADAMI : a presentation
12:30 – 13:00 - Salle Méditerranée
Intervenant :
Bruno Boutleux, Directeur Général de l’Adami

ADAMI : a presentation
ADAMI’s general manager Bruno Boutleux will be presenting the aims of his organisation, for all the artists in the PACA region as well as the artists attending the Babel Med Music Festival.
ADAMI’s purpose is to manage the legal rights of comedians, solo dancers and in the music sector, of some of the main performing artists : singers, solo musicians and conductors. It specifically deals with recorded music broadcasting rights. It offers financial support to professionals from the artistic world, making it easier for new artists to get started and for the established ones to carry on working. In 2011 ADAMI spent 536 100€ to help 61 ‘World music’ projects .
To receive your invitation, you must register first : evetter@adami.fr

CNM : what are the needs and expectations of world music ?
14:00 – 16:00 - Salle de Conférence
In partnership with Zone Franche.
Modérateur : Maud Philippe-Bert rédactrice en chef de Musique Info
Intervenants :
Bernard Aubert, Directeur artistique de la Fiesta des Suds et de Babel Med Music
Didier François Chesnais, Directeur FCM (Fonds pour la création musicale)
Corinne Serres, Mad Minute Music - Live Boutique
Aurélie Hannedouche, Déléguée Générale du SMA, Syndicat des musiques actuelles
Eric Pettroto, Président de CN1D Fédération nationale des labels
Jacques Renard, Directeur CNV (Centre National de la Variété)
Ferdinand Richard, membre du Conseil Nationale du Syndéac, Syndicat National des entreprises artistiques et culturelles
Didier Selles, Mission de préfiguration de CNM
Marc Slyper, Président du SNAM, (Union Nationale des Syndicats d’artistes musiciens)
Jules Frutos, Directeur du Prodiss, Union du Spectacle Musical de Variétés

CNM : what are the needs and expectations of world music ?
La mise en place du Centre National de la Musique mobilise l’ensemble de la filière The impact of the creation of the National Music Centre reaches far and wide. Since the report was published in Autumn 2011, work groups made of union groups and relevant organisations have been put together. Through regular meetings and discussions around different issues such as  funding,, the Centre’s needs as well as the economic reliability of its funding sources, the project is constantly being refined. It is constantly evolving.
The first part of the round table discussion will focus on the foretaste of the CNM. Current issues will be summed up and work group participants will expose their point of view.
The second half of the round table will give a more focused approach on the needs of the professionals from the music industry. What specific needs do they have ? What can they expect from a centralised organisation such as CNM ? Can they rely on the creation of the « francophone quotas » that have been mentioned in the report ?in the World ? In France ? Or even in the Oc region itself ?

The World Music market in Germany
14:00 – 15:00 - Salle Méditerranée
Bureau Export en partenariat
avec la SACEM
Modérateur : Ben Ling, Bureau Export de Berlin
Intervenants : Gaby Eckhardt, Musicas
Geneviève Girard, Azimuth
Claire Giraudin, Sacem
Moritz Rosin, Handshake Booking

The World Music market in Germany
Germany is considered to be one of the main European traders for World music. What place does World music occupy in Germany ? What makes Germany a special place for World music ? How should an artist be marketed to reach the German World music market ? What is the role of the Export office in Berlin and what are the supporting structures already in place ? The German World music market and comparison with the French market.

Speed Meeting
15H 30 / 17H 30 - Salle Méditerranée
Organisateur : Bureau Export (en cours
Sur inscription Aude Tillette Bureau Export : aude.t@french-music.org
Avec :
Mauricio Del Nero (Brésil)
Gaby Eckhardt, Musicas
Moritz Rozin, Handshake Booking

Sur inscription Aude Tillette Bureau Export : aude.t@french-music.org

Conférence presse : Mory Kanté
15:00 – 17:00 - Salle de Presse

Conférence presse : Mory Kanté

music world trade fairs as priviledged spaces for the creation and export of music
16:30 – 18:00 - Salle de Conférencee
Modérateur : Sami Sadak, Directeur artistique de Babel Med Music
Intervenants :
Tiery Abmon, artiste, Prix Alain Peters 2012 (La Réunion) Mory Kanté (Guinée), artiste
José Da Silva (Cap Vert)
Cristina Fina, Medimex, Bari (Italie)
Fira Mediterrania de Manresa, (Espagne)
Jérôme Galabert, Ioma (La Réunion)
Lilian Goldstein, Sacem (France)
Simon Raynor, Directeur AWME Australian World Music Event (Australie)
Jaïr Tchong, Music Center Netherland (Pays Bas)
Ipek Gemicioglu, WOMIST (Turquie)
Anna Poetzsch, Womex

music world trade fairs as priviledged spaces for the creation and export of music
The globalisation of music means that professionals from the cultural and artistic industry must increase their professionalism. For the past 20 years, these professionals have been working to promote regional, European and international music as well as to promote artists abroad through regular events. This conference gives them the opportunity to meet and exchange with other professionals from the cultural and artistic world and to promote the work of the various professional fair trades.in the World ? In France ? Or even in the Oc region itself ?