Open to the public. Registration at the reception desk.
Upon the release of Artist, Digital and Music at IRMA publishing, Emily Gonneau, writer, will discuss about the good online pratices of artists on social media to develop their public relations. She will thus talk about the strategies to implement to improve communication, promotion and monetization of their artistic project.
Meeting proposed by the IRMA.
With:
GONNEAU Emily, Manager, Nüagency, France.
Open to the public. Registration at the reception desk.
We see significant collaboration and networks built in the Northern Hemisphere within Europe as well as North America. We want to see stronger bridges built across the Atlantic to facilitate artist discovery, tour coordination, block booking, and penetration into new markets. In this session, masterminds behind Mundial Montreal, North America’s World Music Summit and European Forum of Worldwide Music Festivals compare and contrast the North American vs. European markets and respective networks to see what the two can learn from each other, teach others, and lay the foundation for more organized collaboration on each side of the Atlantic Ocean. Some topics addressed will be: working with agents on both sides of the Atlantic, issues arising from hot WOMEX showcases where everyone on both sides of the Atlantic bid on the same acts (e.g., Orchestra Baobab, DakhaBrakha, Yemen Blues, Pat Thomas), leveraging export offices and public funders, career development strategies, marketplaces such as Babel Med Music, WOMEX, Mundial Montreal, Visa for Music and APAP (globalFEST).
Organized by Mundial Montreal.
Moderator:
ANDREWS Derek, Artistic Director, Mundial Montreal, Canada.
With:
DE GROOTE Patrick, EFWMF, Delegated Director, Belgium
BRENNER Miriam, Program curator, Festival Mundial, agent, Kōkako Music, The Netherlands & USA.
NASRA Sébastien, President-Founder, Avalanche Prod, M pour Montréal, Mundial Montréal, Canada.
MÉNARD André, Co-founder & artistic director, International Jazz Festival of Montreal, Canada.
* For professionals with an accreditation.
Spectacle vivant en Bretagne is inviting you to attend to listening sessions, in order to discover the variety of the musical creation in Brittany today. A speed listening of audio and video recordings presented by artists and producers from Brittany.
Organized by Spectacle vivant en Bretagne, in connection with BureauExport.
With:
CABARET Etienne, Compagnie des musiques têtues, France.
HURAULT Laurence, Bureau de production Esta-fête, France.
PERIER Lucie, Hirundo Rustica, France.
DUPONT Bertrand, Innacor, France.
PARANTHOEN Fanch, Klam Records, France.
LE FLOCH Frédéric, L’Usinerie, France.
LE CRAS Tangui, Route 164, France.
FOUQUET Manon, La Criée, France.
Open to the public. Registration at the reception desk.
A manifesto, created after the collective approach between networks, federations and unions for the contemporary music. But where do we stand for the merger between regional federation and the comunity support vs Le PAM in the Région PACA.
Conference organized by Le PAM, cooperation division of the Music sector actors in Région PACA.
Moderator:
BIGAY Romain, Editorials resources Manager / Irma, France
With:
MARZIN Vianney, Director, Le Pôle - Pôle de coopération pour les musiques actuelles en Pays de Loire, France.
BOMMENEL Yves, President, SMA - Union for the contemporary music, France.
CHAIX Pierre, Treasurer, Réseau TRëMA - Salle / Venue Les Passagers du Zinc, France.
CORCHIA Olivier, President, Fédération Phonopaca - President, PAM, France.
LAMBERT Mathieu, Director, Garage Electrique, Coordinator, RCA en Languedoc Roussillon, France.
GUINARD Bernard, Director, FAMDT, France.
BRUSCHI Frédéric, Contemporary music project Manager, Conseil Régional PACA, France.
PILAT, Thierry, Artistic Director, Le Fil & Delegate of the “Grand Bureau” ( Network merging project in Auvergne-Rhône-Alpes), France.
VERNA Nadine, Director, Phonopaca, France.
MOREL David, Director, FEPPRA & Label Manager, Jarring Effects Label, France.
Open to the public. Registration at the reception desk.
The reason to step on the world music scene together is to reach a break through in the awareness of the world music performers of these countries on the worldwide scene. This common umbrella brand (CEMS) could initiate the first steps to reach this aim. One of the aims is to start networking with other regions, such as the Mediterranean one. Another one is to design and implement a special touring, themed festival that showcases performers from the region. The objective is twofolded: generate audience for performers within the region for the audience as even within the region performers are not known for the regional audience. The other objective is to stage bands for international professionals, that they can involve them in their line-up.
With:
LELKES András, CEO, Hangveto, Hungary.
HRADILOVA Petra, Programming director, Colours of Ostrava, Czech Republic.
DOBROWOLSKI Mateusz, Programming director, Transetnika, Poland.
MARKOWSKA Martyna, Programming director, Festival of Katowice, Poland.
WEYER Balazs, Programming director , Hangveto, Hungary.
LIBER Endre, Director of artists & repertoire, Hangveto, Hungary.
